Tuesday, August 5, 2014

PAPER FLOWER GARLAND

IMG_0064IMG_0066 IMG_0067IMG_0065IMG_0068 IMG_0069

This weekend we are having a baby shower for one of the coolest persons ever. I had a free moment today to cut some paper petals. I did washes of watercolor on them and then glued them in layers with elmers glue while rolling and crinkling the paper different ways. I used whatever scraps of paper I had lying around, so one was some cotton rag, one was cardstock, two were plain paper and the fluffy looking one is tracing paper. Then I just clustered them on the ribbon  and glued. I think they will look pretty in the door frame to welcome baby-girl. I am so stoked!

 IMG_0071IMG_0072IMG_0073IMG_0056v IMG_0057

Monday, August 4, 2014

Sunshine Studies

 

Clouds are always lovely to watch. I’ve been doing a lot of them even thought they are over painted and rather boring if you’re just passing through. Oh look another landscape (yawn) but if you take a moment to appreciate all of the colors in them sometimes. I have been giving myself clouds and atmospheres because I am trying to teach myself color better. The top photo is acrylic paint, the bottom canvas is in oil. These are available over at the shop here and here.

  IMG_0018bb68IMG_0031bIMG_0031 IMG_0029

HOBBIT HOLES and BREE

 

…because my love for the Lord of the Rings will likely never end.

HOBBITHOLE2HOBBITHOLE2vhobbit1hobbit2breebree2bree3

Sunday, August 3, 2014

DOGS on WOOD

 

Sometimes  I get things out of the trash. Sometimes I secretly stalk said trash piles while waiting for things to get thrown away. You see, there is a house in our neighborhood being constructed. I waited until they  had a clear trash area and looted their tiny wood scrap end pieces.

I wasn’t exactly sure what I was going to do with them. I had my oil paint out for a another project and decided to do some quirky dog portraits after sanding and staining them. This was the first time I’d used oils since  like high school. mine were glumpy and required wrenching the lids open/ dissecting them with scissors just to get the paint out.

That was only the beginning of my frustrations. For starters I only had three brushes for oil and they were all very large. getting details with the chunky mess was next to impossible. Next was my blundering through mixing colors. Because you cant refresh the turpentine as often as water, I felt like I’d muddy everything in the blink of an eye.

I am basically sold on acrylic painting. While oils have such a bendable and richness, I’m much more in favor of paint that doesn’t fight back at me. I also have stained hands now due to a burst tube of green and my incompetence at cleaning oil based products out of skin. Also the smell makes your throat burn and your eyes water. How people do this indoors is beyond me.

IMG_0044IMG_0043IMG_0049image

I have a ways to go and a lot more wood but I hope to add some more layers to the oils after about a week.

DORMANT

IMG_0081

A few months ago, a friend messaged me with a few words of encouragement. It was a quick “hey, I haven't talked to you in a long while but I love all the art you’ve been producing and it’s fun to follow along.”

In fact I’ve gotten a lot of messages, and the majority are artistically incline people themselves. They are encouraged to see someone producing something because they know the own fears that circle around their artistic side. A lot of people want to make. They don’t.

For invisible forces holding back, for the keys that lock us in our own brain: some of us simply don’t. I feel like that’s why you see people stumble along not making much of anything and then suddenly they are lit by a fire.  A forty year old mom will suddenly pick up her paintbrush after not touching one for 20 years. Absent minded hands will start doodling in the cubical.  A girl might indulge in some of the projects she pinned on pinterest and never crafted.

All while quietly dismissing their validness. Shhh, that’s just my hobby.

IMG_0081b

 

I have been dormant

my artistic ideas and silly notions, I’ve been sitting on them. They used to escape into fanciful sketches on my paper during boring lectures. when I left college, I had not cultivated a habit of sitting to draw.  My desire to draw, to create and invent has been there the whole time. Unfortunately I’m lazy. It’s easier to watch a show or read a book than to sit down and start.

I think my life changed when I read Twlya tharps “the creative habit”. It’s a quick read, you should get on that if you’ve never perused it.

I finally realized that my ideas where nothing if I never put them to paper. they’d be floating around in the dark forgotten closet that’s in my brain. It’s usually where I lose the important information and peoples name’s I’m supposed to remember.  I also realized that for some people, they don’t need to share those ideas. I, however, do. I am 99% visual and I have realized that that is what I am called to do. that is my nitch in life. If you hit me on the head and I forget everything about my past, I’d still get back up and start doing something with art. It’s why I greedily eat up other artists posting new works. it’s why I get hooked into scrolling though photographers posts.  It’s why even when I get down and have a dry spell where I do not work, I always find my way back to a pen or my camera. It took me the longest darn time to figure this out. It’s why I fumbled through college worse than a blind linebacker.

I WOKE UP

I am not longer waiting for life to land in my lap. I am not ignoring the passions in my heart. this was easier said than done. There were a few things that changed my perspective

  1. I accepted my identity as an artist. this sounds stupid even as I type it. but no joke. I stopped apologizing for being an artist. I realize we aren’t practical, I realize I’m not the best at what I do. I realize people think I’m a hipster for pursuing “pointless things” as opposed to real world skills. Because I call allow myself to call myself and artist, I can function as one.
  2. I stopped caring how people perceived me or my work. In a freeing way: if I fret to much about what people think I’d never get going.
  3. I started caring how people perceived my work. ……confused. me too. What I mean is, I finally acknowledge that I wanted to be good at what I do.  In the words of Ron Swanson, I wanted to stop half-assing things. I also have put it in the standards of, will this sell, will this catch on. People can be a very positive motivation to push yourself farther and harder.
  4. I gave myself a habit, I forced myself to wedge in drawing just as one would fit in a jog or a cup of coffee. Just like exercising, it’s hard to get going but worth it in the long run.
  5. I created a space that spurs me to work. there’s a reason I keep my pencils in a cup sharp after I use them. I display the things that make me itch to use them. I try to restart my workspace if I’ve left it messy for to long. Clean paper and a tidy area gives you a chance to start afresh.

>>>>>><<<<<<<<

Watercolor Florals

 

IMG_0088bIMG_0112bbetsy-1IMG_0004 IMG_0005IMG_0002etsy-12IMG_0028IMG_0077b

Selfish Art

 

Commissions is hard. I get things that are very tame. Mostly flowers and quotes. At the end of the day, I wish it was easier to curb my free wandering whims but I have to keep chasing new ideas. Therefore I have promised to divide certain projects. I have “just for fun art” and “real art”. I enjoy both, but the “for fun” art is the freeing- soul restoring sort of art. It’s also very freeing to work without an audience. In other words, I am the audience, and if you don’t get it or don’t like it, it’ll be ok. I’ve met a lot of kindred spirits by just doing my thing, and then they come along and they are like THAT, that’s me too!

 

PRINTart-86PRINTart-87PRINTart-201PRINTart-200PRINTart-80PRINTart-82nesseIMG_0013nnnnITAKENAPS

PUT A BIRD ON IT.

 

I haven't done a lot with my colored pencils in a long long time. After finally cracking them out of the box, I had forgotten how much I love these things. I really really needed a break from abstract/quick watercolors so it felt good do some sketching.I decided to draw an owl out of a missing part link in my life. Guess what hogwarts, STILL waiting on my letter.

I started with  a light French grey. I have a bad habit of not sketching loosely first and just going for it. You have to be rather careful if you are hoping to keep the white free of stray lines because the pigment in the wax based prismacolors is very hard to lift of the paper. A lot of people like to sketch in graphite first but I’ve always hated how it looks.

 

image

I used prisma colors and blended parts with white and then went back into brush some ink in with a fine brush. This part was where I realized that I felt like the owl was staring me down while I colored on it, almost like an Adams family portrait. I felt a little guilty and wish I’d left the eyes for last. 

imageimageimage image imageowlolw1